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“Bully for you, Ladybird. I’ve got a backer you see, sister.” ‘The antlered monarch of the waste “You keep still, Betsey! I’m going to watch!” he exclaimed, as if some one had spoken..

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The pianist sat easily at the piano and began the Moskowski selection that had failed to create the expected furore in the afternoon. A cadenza that shivered down the spine like spray from a glacial torrent wakened the room. Then he plunged into the first theme. His small audience listened spell-bound. Betty’s eyes followed the fingers that leaped over the ivory keys like white flame. A subtle current began to play in the room. Steadily it grew in power. Magnetism to the nth degree was being generated. A tremendous chord brought the music to a close and the pianist to his feet. Something in Nell’s glance inspired him. He whirled about the room whistling and imitating some of the cadenzas and other passages from the selection just played. He gesticulated wildly with his hands, the passion for dramatic music oozing from his pores. “Wisht that orful pitcher ’d fall inter the swill-pail an’ then turn a somerset in the soot-pile,” murmured the boy as he noticed the care exercised over its safety. “Oh, Billy!” she said, despairingly; and he knew in spite of her smile that she disliked his words. “The little girl is looking for you. She is lonely; you must amuse her.” The scene ended in a crash of music; the curtain fell to a house wild with cheering. Edith and the principal performers were called again and again before the curtain. It was a generous, appreciative audience, giving its heartiest approval by rising..